Hello! This is a personal blog that ranges from Shakespeare to fandom (Supernatural, Doctor Who, WTNV, and more) to Neil Gaiman to pictures of me to puppies. Enjoy your stay!
Four hours of callbacks later, it is Friday, the lights are off in my dorm room, I don’t have a roommate, and I am curled up on my bed with my computer and endless options of movies and TV. You cannot make me move. If anyone knocks I am asleep. Do Not Disturb.
Having watched the casting decisions being made for the first time, my suspicions that directors are some combination of lazy and taking pleasure in torturing actors by taking hours and hours to send out cast lists has been confirmed.
sopranos: "what do you mean i should try….soprano two?”
altos: groan in silence when sopranos still can’t get the melody after 83 tries
tenors: there are 2 of them
basses: stuck singing same note for entire song, sing a singular note 2 octaves higher, go back to same note for rest of the piece
Omfg, yes to all!!
They may lose viewers, but imagine how many they would gain. Imagine the publicity. Imagine how amazing it would be for everyone.
Why can none of them see this??
I may always reblog every gifset/imageset I see of this scene, if only to point out (over and over and over again) that Black Widow’s “very specific skillset” is not, actually, ass-kicking (as amazing as she is at that), because all the Avengers can kick ass to a pretty high degree. The Black Widow’s superpower (as it were) is emotional manipulation.
She is not interrogating this man not while tied to a chair. She is tied to a chair because that is exactly where she wants to be, because apparent vulnerability on her part is part of her interrogation. She uses the exact same trick on Loki later, when she leads him into gloating over having successfully pushed her buttons (and I have a theory that he did actually push her buttons, that she was genuinely distressed by the things he said to her because Loki is old enough and smart enough to know when someone is lying to him) and turns his gloating around on him, uses it to dig into the cracks of him, because that is what she does, and she can do it even when her target is expecting it. (Really, Loki knows that’s why she’s there. He was expecting to be physically tortured first, and for her to come be sympathetic later, if you recall, but Loki and Widow both know that wouldn’t work.)
And this is why she’s so unsettled by the Hulk. The Black Widow relies on emotional manipulation — and the Hulk, to the best of her knowledge, only has varying shades of a single emotion: anger. She doesn’t know how to manipulate a creature if it doesn’t have all the hooks to emotions like pride and lust and guilt and greed that she’s used to using.
This is a REALLY good character analysis of Natasha.
Without us, actors would be late, naked, and in the dark.
One of my favorite quotes in regards to tech theatre (via jamzm)
This is actually my least favorite quote in regards to tech theater- I have heard many variations of it, seen it on tshirts, etc and it always pisses me off.
The superiority complex that so many technicians/designers have over actors is frankly just stupid. Obviously we high and mighty technicians deign to bestow our marketable skills upon you pitiful, helpless actors in our bountiful free time.
My job has no purpose without actors. I depend on them for my livelihood. My job title is “stage manager-” a stage with nothing on it does not need a manager. We coexist, a symbiotic relationship, like sharks and those little sucker fish that follow the sharks around.
The respect that I have for actors is enormous. It takes skill, hard work, passion, and training, and a level of determination and self-sacrifice that few professions require. I have no illusions about my skill (or lack thereof) as an actor. Without technicians, an actor is “a naked person standing on a dark and empty stage, trying to emote.” I beg to differ. An actor, a decent actor anyway, any actor worth his salt, would not allow a lack of technical assistance to prevent him from telling his story to the audience. He would find some clothes, he would find a light switch, and he would not try to emote. He would act.
It is true that there are sometimes actors who don’t understand what goes into the technical aspect of a production- take, for example the tech process of a musical I recently worked on. We were having sound issues, namely the orchestra was overpowering the cast due to their placement in the house. The cast couldn’t hear themselves in the monitors, no one in the audience could hear them, etc. Instead of working through it, they were angry with our sound designer- Why can’t he just turn down the volume? It’s too loud! They had no concept of how difficult it is to mix a live orchestra, and no trust in the designer to fix the problem as best he could until we could find a more permanent solution (ie, moving the orchestra into another part of the building entirely & just using the monitors).
However, this goes both ways. I recently worked on a production that had a large, moving scenic element that rotated without a fixed point. The actors were moving this unit themselves without a run crew of any kind, and unanimously told me that it was very difficult to move and control- they needed handles. When I relayed this information to the scenic designer, he replied “They don’t need handles. They’re actors. You can’t expect them to figure out how to rotate it correctly on their own.” When we showed him that the way the actors were moving the unit was exactly the way they had been instructed to and it was still unnecessarily difficult, he agreed to the addition of handles.
Basically what this all boils down to is respect. Respect for other artists. Respect for another person’s work. Having enough respect for someone else as a person to view their work as art. Respect for the creative process. Eliminating the sense of “the other” or “the inferior” so that all members of a company are viewed as equals.
Theatre is a collaborative art, y’all. Truly the most collaborative art form in existence, and without respecting your co-collaborators, where are you?
Well put. There are MANY students in Tumblr who tend to think that a “high school” mentality of theatre is a constant, when in fact holding such a mindset will relegate you to “hobby actor/techie” (and GOD do I hate the word “techie”) status. Theatre is collaborative, and must be if any of us are going to survive in this business. Placing yourself above another within the same trade is career suicide at best. There is little profit in what we do as it is. If we start cannibalizing our own industry out of pride, then who do we have left. There are MANY who don’t want fine art to thrive as a business, and we as a collective cannot afford to divide ourselves simply to conquer our own egos
Sometimes it takes a working professional’s perspective to put the industry into focus.
The world is watching, White America.
FIGHT TERRORISM, STOP COPS.